Legend has it that the hundreds of huge stone jars scattered across the Plain of Jars in remote Northeast Laos are the wreckage of an almighty piss-up of giants. The scattering of upright and toppled jars looks like the discarded beer cans of drunken revelry. It’s a good story but archaeologists, who are by no means sure of the whys and wherefores, believe they’re funeral urns. This makes more sense in the context of their setting; their resting places are all in peaceful surrounds. Despite what the guidebooks say, Site 2 is the most beautiful, with a 360 degree view of rice paddies and tumbling hills. At Site 2 a tree has grown through the base of the jar splitting it four ways. Throughout the sites the Mines Advisory Group has laid marker bricks; you’re not allowed to wander outside of these zones. I have never been so fixated on a pair of bricks in all my life.
After a day contemplating the legend of the imbibing giants, Tae, my guide, offered to take me to a local disco. It was a Hmong hang out. The crooners crooned, there was some very restrained Laos dancing which involved twisting my wrists, followed by a frustrated Kevin Bacon Footloose routine. I was happy to shake a leg or two after being so feet focussed on ground tainted by so much unexploded ordnance.
As the night wore on, Tae’s friends thought it a good idea to pour wine into the Beer Lao. Beer Lao is a fine drink. I asked them why they wanted to taint the sacred national drink by polluting it with vino; some people like the sweet taste, they told me. It was nothing short of a blasphemous transubstantiation of the gold nectar into cough mixture.
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